Mary Y. Yang
Mary Y. Yang is a designer and educator based in Boston, MA. She is the founder of Open Rehearsal, a design studio that collaborates with cultural and educational clients on research and projects spanning brand identities, exhibition graphics, book design, environmental graphics, and editorial design. Her work has been recognized by Communication Arts and featured in AIGA, PRINT Magazine, Society of Typographic Arts, Design360°, and Hyperallergic. She has been named as one of Graphic Design USA’s 2026 People to Watch.
       Yang is an Assistant Professor at Boston University, where she teaches in both the undergraduate and graduate Graphic Design programs. Her research and pedagogical approach examine how language can be used as a tool for multilingual exchange, co-building history, embodied learning, and cultivating spaces for collective knowledge. She is currently the 2025–2026 Artist-Writer-in-Residence at Johns Hopkins University’s University Writing Program.
In addition to her role as an educator, Yang is the co-founder of Radical Characters, an educational and curatorial platform that researches and explores graphic design, typography, and culture through Hanzi (Chinese characters).  
        Yang holds an MFA in Graphic Design from the Rhode Island School of Design and a BFA in Communication Design from Washington University in St. Louis, Sam Fox School of Design & Visual Arts. She has taught at the Rhode Island School of Design and lectured at the University of Washington. Previously, she has worked on the graphic and brand design team at Victoria’s Secret PINK (NYC), the University of Washington Press
(Seattle, WA) and Studio Blue (Chicago, IL).








    To See Is to Hear: Visualizing Music
    Multi-screen projections installation with video and sound. A graphic system that reflects the experience of listening to a piece of piano music. This video and installation piece presents graphic explorations of three contrasting piano pieces that are translated using a set of visual rules and relationships based on the original music score. It exists as multi-screen projections with accompanying videos that the viewer can listen to with headphones. A pamphlet with explanations of the graphic system accompanied the viewing experiences. The graphic system is designed by assigning quantitative notations to musical characteristics such as key signature, note value, tempo, and dynamics from the score. Qualitative notations are assigned to musical characteristics based on existing performance recordings, which reflect a more subjective and expressive interpretation by the pianist. Each note is represented by a shape and each complete video frame represents a measure of music from the score. Notes appear in the sequence in which they are played.









    © 2026 Mary Y. Yang