Mary Y. Yang
Mary Y. Yang is a designer and educator based in Boston, MA. She is the founder of Open Rehearsal, a design studio that collaborates with cultural and educational clients on research and projects spanning brand identities, exhibition graphics, book design, environmental graphics, and editorial design. Her work has been recognized by Communication Arts and featured in AIGA, PRINT Magazine, Society of Typographic Arts, Design360°, and Hyperallergic. She has been named as one of Graphic Design USA’s 2026 People to Watch.
       Yang is an Assistant Professor at Boston University, where she teaches in both the undergraduate and graduate Graphic Design programs. Her research and pedagogical approach examine how language can be used as a tool for multilingual exchange, co-building history, embodied learning, and cultivating spaces for collective knowledge. She is currently the 2025–2026 Artist-Writer-in-Residence at Johns Hopkins University’s University Writing Program.
In addition to her role as an educator, Yang is the co-founder of Radical Characters, an educational and curatorial platform that researches and explores graphic design, typography, and culture through Hanzi (Chinese characters).  
        Yang holds an MFA in Graphic Design from the Rhode Island School of Design and a BFA in Communication Design from Washington University in St. Louis, Sam Fox School of Design & Visual Arts. She has taught at the Rhode Island School of Design and lectured at the University of Washington. Previously, she has worked on the graphic and brand design team at Victoria’s Secret PINK (NYC), the University of Washington Press
(Seattle, WA) and Studio Blue (Chicago, IL).



    News


    Workshop | November 12, 2025Embodied Writing: Activating Latent Characters through Textual Sites

    Johns Hopkins University
    Baltimore, MD

    As part of my Artist-Writer in Residence at Johns Hopkins Univesity’s University Writing Program, I hosted a workshop with students and faculty on embodied writing. The workshop explored the body as a site for generating new textual forms that challenge traditional narrative, linguistic, and typographic conventions. Through movement, gesture, and somatic awareness, participants created writing that emerges from physical experience rather than purely cognitive processes.

    About residency





    Exhibition | July 18–November 14, 2025Tone in Tongue

    Otis College of Art and Design
    Los Angeles, CA

    Shanghai Research Institute of Printing Technology
    Shanghai, China

    Maryland Institute College of Art (MICA)
    Baltimore, MD  

    Curated and organized by Mary Y. Yang and Zhongkai Li

    Tone in Tongue concluded its multi-venue international exhibition tour in November 2025. The exhibition explored the interconnection of East Asian visual culture, tracing how shared histories and distinct, aesthetic identities continue to resonate in contemporary design. Featured the work of 50 international designers and 100 publications. The exhibition includes commissioned posters by international studios; contributions from emerging practitioners selected through an open call; a curated collection of independent publications; and a design magazine tour that traces evolving perspectives on East Asian graphic design over the past two decades—with selections from the archives of Design360° (China), GRAPHIC (South Korea), and idea magazine (Japan).

    Read press release






    Interview | October 17, 2025Creatives in Practice: Mary Y. Yang

    Boston University College of Fine Arts
    Interview by Diana Hernandez Johnson
    I share how my identity as a 1.5-generation Chinese American informs my belief that language can serve as a bridge—connecting people across cultures and geographies. I also reflect on how my role as an educator shapes the way I connect my practice with teaching, exploring how design can engage with language, identity, diaspora, and cultural memory. I approach design as both a collaborative process and a tool for cultural and community engagement.
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    Talk | October 10, 2025 From Letters to Words to Dialogue: Building Collective Language with Radical Characters and Pararailing

    Asia Art Archive in America
    Brooklyn, NY

    In collaboration with Zhongkai Li, we presented on Radical Characters’ exhibition, Tone in Tongue, in dialogue with Pararailing (Jie Shao, Sixing Xu, and Snow Xuecan Ye), who shared about their ongoing project, Railing Codex. Together, we reflected on the origins and ethos of our respective arts collectives and the ways we approach collaboration, language, and cross cultural dialogue. Moderated by Scarlett Meng (RELATED DEPARTMENT/Page Bureau)
    Watch talk





    Interview | November 8, 2024Mary Y. Yang, Lead Designer of Under the Same Moon

    Praise Shadows Art Gallery
    Interview by Jayna Mikolaitis

    I speak with Jayna Mikoaltis, Gallery Manager of Sales and Marketing at Praise Shadows, about the design process behind Yu-Wen Wu's first monograph, Under the Same Moon. We discuss the themes of material and materiality in Yu-Wen’s work, designing with multilingual type, and how those ideas translate into the book as an object.
    Read interview






    Interview | Janurary 26, 2024On Designing for Culture and Investigating A.I. in the Classroom

    AIGA Design Educator Profile
    Interview by Jason Alejandro

    I speak with designer and educator Jason Alejandro about my goals as an educator, my design practice, AI and design pedagogy, and how these roles come together in the way I engage students in the classroom and studio. I also share some updates on my upcoming projects, including Radical Characters’ second institutional exhibition.

    Read interview




    More News


    Below are more highlights of my awards, press, interviews, writing, and speaking engagements. You’ll also find selected talks and features that reflect my work spanning brand identities, exhibition design, book design, environmental graphics, and editorial projects. My research and practice focus on fostering cultural dialogue, advancing social advocacy, and exploring multilingual and multicultural design. For a full list of accomplishments, please reach out to request my full CV.



    Awards & Recognition

    Graphic Design USA
    Person to Watch
    2026

    Graphic Design USA
    RISD Commencement Identity Design
    2023

    Boston University
    Supervisor of the Year Award, Runner Up
    2022

    Communication Arts
    Design Award, Radical Return Exhibition Design
    2022

    Massachusetts Cultural Council: Cultural Investment Portfolio
    Grant Recipient for Radical Return
    2022 

    Seattle Design Foundation
    Grant Recipient
    2017

    RISD Grad Selections Show
    RISD Grad Show Graphic Identity Posters
    2017



    Selected Publications

    PLATES #2: Body Issue
    (Contributor)
    Published by Related Department / Page Bureau
    2025 

    Slanted Magazine #44 — Type Fashion (Contributor)
    Published by Slanted Publishers
    2024 

    imperfect index (Contributor)
    Edited by Laura Parke and Abbie Vickress
    2024

    Radical Return catalog (Editor)
    Published by Radical Characters, IS A Gallery, and BU Art Galleries
    2022

    “Embodying the Residue,” I Got Something to Say—Poster Inventory, 2013–2021 (Contributor) 
    Edited by Christopher Sleboda and Kathleen Sleboda
    Published by Draw Down Book
    2022

    Perplex, Abstract & Delight: A Few Covers by Audrey Meyer (Authored) 
    Published by Katherine Small Gallery
    2020

    Is the Internet Down? (Contributor)
    Published by Draw Down Books
    2019

    Where the Wind Blows (Authored)
    Published by Open Rehearsal
    2018

    “ROI: Return on Investment,” v.1: A RISD Grad Journal (Contributor)
    Edited by Jen Liese
    2016

    Notable Press

    A Light Touch Goes a Long Way

    PRINT, The Daily Heller
    Steven Heller
    2020

    “Perplex, Abstract & Delight: A Few Covers by Audrey Meyer”

    The Boston Globe, New England Literary News

    Nina MacLaughlin
    2020

    Strings Attached Extra: A look behind the look
    University of Washington, School of Music
    Interview by Joanne De Pue
    2019

    RISD Graduate Exhibition Graphics Are Hyper-Adaptive
    Graphic Design USA



    Interviews

    Creatives in Practice: Mary Y. Yang

    Boston University College of Fine Arts
    Interview by Diana Hernandez Johnson
    2025

    Mary Yang, Lead Designer of Under the Same Moon
    Praise Shadows Art Gallery
    Interview by Jayna Mikolaitis
    2024

    On Designing for Culture and Investigating A.I. in the Classroom
    AIGA Design Educator Profile
    Interview by Jason Alejandro
    2024

    Now What?! exhibition designers shape an immersive and accessible gallery experience
    Boston Society for Architecture
    Interview by by Maaha Rafique
    2022

    Faculty Feature: Mary Yang, Graphic Design
    Boston University College of Fine Arts
    2020



    Workshops Led

    Embodied Writing: Activating Latent Characters through Textual Sites
    Johns Hopkins University
    University Writing Program
    Baltimore, MD, 2025

    Embodied Making As Collective Publishing: The Body and Hanzi
    School of Musuem of Fine Arts
    Tufts University
    Boston, MA, 2024
    +
    Boston Art Book Fair
    Boston Center for the Arts
    Boston, MA, 2022
    +
    Massachusetts College of Art and Design
    Studio for Interrelated Media (SIM)
    Boston, MA, 2022

    Risograph Workshop
    Loyal Studio
    Boston, MA, 2019

    Entr’acte (Workshop and performance)
    RISD Museum
    Providence, RI, 2017



    Selected Exhibitions

    Tone in Tongue (Curated)
    Otis College of Art and Design
    Los Angeles, CA, 2025
    +
    Shanghai Research Institute of Printing Technology
    Shanghai, China, 2025
    +
    Maryland Institute College of Art (MICA) 
    Baltimore, MD, 2025  

    PLATES: The Politics of Layout
    Curated by Scarlett Meng
    Ulises Project Space
    Philadelphia, PA, 2025

    Embodied Making as Collective Publishing:
    The Body and Hanzi

    Curated by Moon Jang
    C-U-B-E Gallery
    University of Georgia
    Lamar Dodd School of Art
    Athens, GA, 2024

    Ulises: Assembly
    Tufts University Art Galleries
    Boston, MA, 2024  

    Figure, Character, Sign (Curated)
    A Plus A Gallery
    Venice, Italy, 2022

    Radical Return (Curated)
    IS A Gallery
    Shanghai, China, 2021
    +
    Boston University Art Galleries
    Boston, MA, 2021   

    Pudding 002: Composition
    Curated by James Chae
    whatreallymatters
    Seoul, South Korea, 2021

    All Together Now: Sound x Design
    Design Museum of Chicago
    Chicago, IL, 2021  

    Word Art
    Curated by Space Us
    Downtown Crossing
    Boston, MA, 2019

    Lines/Divide
    Curated by Joshua Duttweiler
    Boston East Gallery
    Boston, MA, 2019

    RISD Graphic Design Triennial
    Curated by Goeun Park & Joel Kern
    Woods-Gerry Gallery
    Providence, RI, 2018

    A Few Conversations Between Women
    808 Gallery, Boston University
    Boston, MA, 2018

    It’s in the Bag*, RISD Grad Show
    Rhode Island Convention Center
    Providence, RI, 2017

    SeeHER
    American Institute of Graphic Arts (AIGA) Rhode Island
    RISD Graphic Design Commons, Design Center
    Providence, RI, 2016

    Dimensions Variable: RISD Graphic Design Triennial
    Curated by Lisa Maione and Gabriel Melcher
    Woods-Gerry Gallery
    RISD, Providence, RI, 2015

    ROI: Return on Investment
    Directed by Jiminie Ha
    Graphic Design Commons, Design Center
    Providence, RI, 2015

    CHGO DSGN: Recent Object and Graphic Design (with Studio Blue)
    Curated by Rick Valicenti
    Chicago Cultural Center
    Chicago, IL, 2014



    Selected Lectures & Speaking

    Washington University in St. Louis (Upcoming)
    Sam Fox School of Design & Visual Arts
    St. Louis, MO, 2026

    Johns Hopkins University (Upcoming) 
    University Writing Program
    Baltimore, MD, 2026

    “Designing Collective Spaces for Cross-Cultural Dialogue” 
    Illinois State University
    CrossPlatform Graphic Design Lecture Series
    Normal, IL, 2026 

    “From Letters to Words to Dialogue: Building Collective Language with Radical Characters and Pararailing”
    Asia Art Archive in America
    Brooklyn, NY, 2025

    “Forming Connections: Multilingual Writing as a Bridge for Cross-Cultural Dialogue”
    Johns Hopkins University
    University Writing Program
    Baltimore, MD, 2025 

    “Design as Rehearsal Space: From Practicing to Practice” 
    Massachusetts College of Art and Design 
    Communication Design & Dynamic Media Institute Lecture Series 
    Boston, MA, 2025 

    “Approaches to Bilingual Typography in Design Practice and Pedagogy” (Session chair) 
    College Art Association Annual Conference  
    New York, NY, 2025
    “Building Collection Sites: Language, Culture, and Publishing through Graphic Design”
    University of Georgia
    Lamar Dodd School of Art 
    Athens, GA, 2024

    “Collecting Graphic Design: The State of Affairs”
    University & College Designers Association (UCDA) 
    Design Education Summit: Immerse
    Moderated by Brockett Horne (The People’s Graphic Design Archive)
    Mesa, AZ, 2024 

    “Creative Intelligence: The Future of AI in Design Education” 
    Moderated by Christopher Moore
    College Art Association Annual Conference  
    Chicago, IL, 2024

    “A Pedagogical Approach for Introducing and Challenging AI in the Classroom”
    AIGA National Conference 
    Design Educators Community Symposium 
    New York, NY, 2023

    “Radical Characters: Studying Graphic Design and Typography through Chinese Characters (Hanzi)”
    College Art Association Annual Conference
    Design Incubation Colloquium 9.2
    New York, NY, 2022

    “Now What?!—Exhibition Design and Social Practice”
    Boston Society for Architecture
    Affiliated with Boston Design Week
    Boston, MA, 2022




    © 2026 Mary Y. Yang