Mary Y. Yang
Mary Y. Yang is a designer and educator based in Boston, MA. She is the founder of Open Rehearsal, a design studio that collaborates with cultural and educational clients on research and projects spanning brand identities, exhibition graphics, book design, environmental graphics, and editorial design. Her work has been recognized by Communication Arts and featured in AIGA, PRINT Magazine, Society of Typographic Arts, Design360°, and Hyperallergic. She has been named as one of Graphic Design USA’s 2026 People to Watch.
       Yang is an Assistant Professor at Boston University, where she teaches in both the undergraduate and graduate Graphic Design programs. Her research and pedagogical approach examine how language can be used as a tool for multilingual exchange, co-building history, embodied learning, and cultivating spaces for collective knowledge. She is currently the 2025–2026 Artist-Writer-in-Residence at Johns Hopkins University’s University Writing Program.
In addition to her role as an educator, Yang is the co-founder of Radical Characters, an educational and curatorial platform that researches and explores graphic design, typography, and culture through Hanzi (Chinese characters).  
        Yang holds an MFA in Graphic Design from the Rhode Island School of Design and a BFA in Communication Design from Washington University in St. Louis, Sam Fox School of Design & Visual Arts. She has taught at the Rhode Island School of Design and lectured at the University of Washington. Previously, she has worked on the graphic and brand design team at Victoria’s Secret PINK (NYC), the University of Washington Press
(Seattle, WA) and Studio Blue (Chicago, IL).








    Design Sycnopations
    Rhode Island School of Design
    Graphic Design MFA Thesis

    7.25 × 10 in, 310 pages, saddle stitch thread, digital printing, 2017

    Design Syncopations is an inquiry into space and intervention. My thesis work at RISD explored the relationship between design and music. This book contains a sequence of work, writing, conversations, and experiences—a syncopation of attitudes towards design’s role in a range of spaces. The design of the book reflects the structure of a mechanical metronome, as indicated by the lines representing pendulum swings that appear throughout the book as a time keeping device.










    Advisors: James Goggin, Paul Soulellis, and Ben Shaykin
    External Critic: Sarah Hromack
    Interviews: Peter Mendelsund, Hannah Chan-Hartley, and Alisa Wolfson
    © 2026 Mary Y. Yang